Next ten books, and we’ve got some doozies here.
Anna Dressed in Blood – Kendare Blake
For a first book, this is a pretty good story and a nice easy read. Loved the easy style and the take on the supernatural world, particularly everyone’s willingness not to notice it.
Gone Girl – Gillian Flynn
I have mixed feelings about this book. I was immediately sucked in by the writing style of the first few pages, but quickly realised I wasn’t connecting with the female saccharine sweet main character while the male lead apparently had no redeeming features. My first instinct was Mary Sue and… what is the antithesis of a Mary Sue? After the mid-point, things changed, and I’m glad I stuck with the book. Some of the communications issues struck a little too close to home, and the unveiling of the true nature of the main characters was a slow-motion car crash, one I couldn’t look away from. This wasn’t a cheap twist ending, but a true slow reveal, and love it or loathe it, definitely a book worth reading.
Dreams of Gods and Monsters – Laini Taylor
To be fair, I picked this up at the local supermarket. I bought it partly because of the blurb, but partly because of the cover. I was 2/3rds of the way in before I realised I’d read the first book in this series some time ago, and that I hadn’t particularly enjoyed it. Strangely enough, I did really enjoy this one
The Last Guardian – David Gemmell
Pulp fiction in its truest form. Gemmell books are filled with familiar characters, familiar situations, and little in the way of deeper meaning. I love them for that. This book is no different, if you’ve read Gemmell, you’ve already ready this book, but that doesn’t mean you shouldn’t revisit it. Heroes and adventure, light and easy.
The Trick is to Keep Breathing – Janice Galloway
This book is both awesome and painful. The writing style makes the character real, their mental collapse intimate, and their situation familiar. It also hurts my brain. This is a must-read, but it’s a must-read ONCE. To be fair I wouldn’t have picked this book up normally, not a style I particularly seek out, and I guess I have to thank Tertiary Education for pointing me in this direction. Definitely a book that makes you think.
The Golden City – John Twelve Hawks
Again the last book in an ongoing series, and one I hadn’t seen the beginning of. Unlike Gods and Monsters, this book did not stand on its own and given the style I won’t be going back to look at the rest.
American Gods – Neil Gaiman
A revisit to an old favourite. I think every nerd, geek and fantasy freak I know has a copy of this stashed away on their bookcase. Arguably one of Gaiman’s best works and certainly one of my inspirations. The idea that gods are sustained by belief is hardly new, nor that gods very natures are shaped by their followers, but it is rarely address so well.
Hot Sleep – Orson Scott Card
Well… that was a snooze fest. Mediocre first half, then a whole new sub-par story for the second half. This one goes in the resell-to-the-bookstore pile
Big Brother – Lionel Shriver
I must admit, Shriver confuses me. Her work is the gives you the depth and unchallenging read of genre fiction, without any of the entertainment value and escapism. If I wanted to lose myself in a dreary world with superficial hat tips to the societies underlying problems I’d stay at work with Facebook open.
Proxima /&/ Ultima – Stephen Baxter
Okay, so two books rather than one. That’s okay, its also a dozen stories rather than two. Baxter takes us on a long and epic journey through several generations of a particular family. Think an alternate history that takes the long look at unfolding events. The first book was powerful, leaving me wanting to know more. The second, however, didn’t give me what I needed. Maybe it’s the revolving cast of characters, but I lost interest. It may also be that there are so many interesting secondary characters that I would rather be following. Still, some truly massive ideas here, and well worth checking out.
Technically I’m supposed to identify my top 10 books… problem is I couldn’t narrow it down to my top 100. What I can do is write down the first ten that spring to mind, and explain why. Of course, if I did this again in a month, we’d probably have a completely different list. There’s the rub…
- A Rustle in the Grass – Robin Hawdon
- Snow Crash – Neal Stephenson
- Lord of the Rings – like you don’t know who wrote this
- The Wars of Light and Shadow series – Janny Wurts
- Dresden Files – Jim Butcher
- Wizards First Rule – Terry Goodkind
- Malazan Books of the Fallen – Steven Erikson
- American Gods – Neil Gaiman
- Mindstar Rising – Peter F. Hamilton
- The Broken Empire series – Mark Lawrence
#1 As a child this book both traumatised me and opened my eyes to a new way of seeing the world. I would recommend it to anyone of any age. It is both epically awesome and terribly intimate.
#2 Snow Crash, cyberpunk in its earlier forms. So much of this book deals with far deeper concepts than simple technology development. Amazing how a book published in ’92 can be simultaneously dated, prescient, and timeless.
#3 Lord of the Rings. I first read this when I found it in my primary school library when I was 10 or 12. The starting point of modern fantasy, with all its inherent problems of sexism, racism, and yet makes the real world all the duller when you are forced to return to it. I re-read this every few years, but I confess I no longer read the hobbit chapters. I’m in this for the world, not the characters.
#4 Fantasy got complicated here, there was no good/bad line, and antagonist had motivation and justifications. The writing was dense, the politics Machiavellian, and the magic was awesome. Even the SF elements that crept in couldn’t derail this story for me. It also hammered home the fact that perception is often far more important than reality.
#5 Dresden Files. My guilty pleasure, these are the penny dreadful’s of modern fantasy offerings. Easy to read, a great way to pass the time and a bit of humour thrown in. These are books you walk away from thinking ‘what a rush’ without needing to sit down on the couch for the rest of the day to process some deeper meaning. The Dresden Files do what so many other books, even the good ones, don’t. They entertain.
#6 I enjoyed this on my first read, it was light, fluffy and didn’t fill you up between meals. There were moments when I wanted to reach into the novel and slap some sense into the characters, and that’s really what stuck with me all these years. When a book makes you mutter ‘you dumb mother %#@%er’ every few pages it leaves a mark… possibly a bruise. Then I read it again and realised this book wasn’t just frustrating, it was bad, very, very bad. A plot with no originality and no surprises, a cast of characters so 2 dimensional they’d cut you if you shook hands with them. Bad dialogue, worse pacing, and the ultimate magic was the power of being stupid. I still re-read Goodkind books occasionally, simply to harvest the elemental rage they generate.
PS I’m a huge fan of the TV show, Tabrett Bethell absolutely rocks.
#7 Now this is a world and mythology to lose yourself in. To be honest I a little astonished it got published given the style, but man I’m glad it did.
#8 I admit to my heresy, I’m not overly a Neil Gaiman fan. This book, however… downright awesome.
#9 Another heresy, I like his earlier work more than his later works.
#10 Lots of writers have done the anti-hero and done it well, Moorcock gave us Elric of Melniboné, even Pratchett gave us Havelock Vetinari, Patrician of Ankh-Morpork. Lawrence gives us a character that is no way likeable, but is very understandable. You want him to win even more than you want him to get a comeuppance. Consider the anti-hero nailed.